Somaya Critchlow is a British artist whose figurative paintings of women explore facets of race, sex and culture through an instinctive, stream-of-consciousness process of image making. Working mostly on a small scale, her works depict bold, curvaceous and self-possessed female characters, of her own creation, that simultaneously combine and subvert the culture expectations of race, gender and power in the history of portraiture. Imbued with dark, rich hues of browns, Payne’s grey and purples, and using sensuous brushstrokes, her heroines emerge starkly against atmospheric backdrops of thinned oils evocative of classical European painting – Velázquez, Rubens et al – and David Lynch’s hazy, seedy environs. They are self-reflective and personal, and at the same time commentary of the cultural, class and political dynamics of contemporary society.
Somaya Critchlow (b. 1993, London) lives and works in London. She received her BA in Painting at the University of Brighton before joining The Royal Drawing School in London, which she completed in 2017. Somaya was recently included in the group show Xenia: Crossroads in Portrait Painting at Marianne Boesky Gallery in New York and has previously presented solo shows at Fortnight Institute, New York (2019) and Efrain Lopez Projects, Chicago (2018). Critchlow has been included in group shows at James Fuentes, New York (2019), Maximillian William, London (2019) and Orleans House Gallery, London (2019). Maximillian William looks forward to presenting her first solo show in London, Underneath a Bebop Moon.
CONVERSATION BETWEEN SOMAYA CRITCHLOW AND AMANDA RENSHAW